Showing posts with label australian literature. Show all posts
Showing posts with label australian literature. Show all posts

Wednesday, August 28, 2013

Australian children's books of the year 2013:



I'm likely repeating myself when I say that I have a high opinion of Australian literary awards. I know that awards of any kind are often frought with controversy, but I think literary awards are important for the publishing industry, for the development of literary culture, and for the writers themselves. Awards are also great for readers, because, in spite of their flaws and the fact that any prize is subjective and influenced by so many details, awards provide readers with a list of books which a number of intelligent and thoughtful people have examined and found to be not just worthy of reading, but seriously seriously recommended.

A week and a bit ago, the Children's Book Council of Australia award winners for 2013 were announced, and the lineup looks great.

Book of the Year: Older Readers 
(Note: these books are for mature readers)
Winner Margo Lanagan, Sea Hearts
Honour Books Neil Grant, The Ink Bridge + Vikki Wakefield, Friday Brown

Book of the Year: Younger Readers 
Winner Sonya Hartnett, The Children of the King
Honour Books Jackie French, Pennies for Hitler  + Glenda Millard, ill. Stephen Michael King, The Tender Moments of Saffron Silk

Book of the Year: Early Childhood
Winner Emma Allen ill. Freya Blackwood, The Terrible Suitcase 
Honour Books Tania Cox ill. Karen Blair, With Nan  + Ursula Dubosarsky, ill. Andrew Joyner, Too Many Elephants in This House 

Picture Book of the Year, arranged by illustrator
(Some of these books may be for mature readers)
Winner Ron Brooks and Julie Hunt, The Coat 
Honour Books Gus Gordon, Herman and Rosie + Alison Lester, Sophie Scott Goes South

Eve Pownall Award for Information Books
Winner Kristin Weidenbach ill. Timothy Ide, Tom the Outback Mailman
Honour Books Jackie Kerin ill. Peter Gouldthorpe, Lyrebird! A True Story  + Kirsty Murray, Topsy-turvy World: How Australian Animals Puzzled Early Explorers.

So what do you think of the winners?Any surprises there? Any notable absences?

To my shame, I haven't read a single one of the winners this year, though there are a few on my bookshelf in my to-read pile, and I'm partway through Vikki Wakefield's Friday Brown at the moment. Some of my favourite Aussie writers and illustrators are represented here, though -- among them Margo Lanagan, Ron Brooks, Sonya Hartnett, Alison Lester, and Jackie French -- and I have no doubt that their stories will be amazing. There are a few names unfamiliar to me as well, which is exciting. New favourites to discover! I look forward to working my way through this list.

Which of these have you read? Which do you want to?

Monday, August 20, 2012

Quality children's literature no longer exists.


That's something I heard someone announce, quite vehemently, at a writer's event I attended a few weeks back.

"There's just no such thing as good children's literature anymore," a woman said sadly, and a little angrily. "It was so much better when we were kids." A bunch of attendees nodded vigorously and murmured their assent. I sat wriggling in my seat. I wanted to leap to my feet and shout THERE IS SO MUCH AWESOME KIDS' LIT OUT THERE WHAT ARE YOU CRAZY YOU ARE OBVIOUSLY LOOKING IN ALL THE WRONG PLACES. Yes, just like that, with no punctuation or any sense of social etiquette. But it was a panel and lots of people were talking and I'm not really given to violent public outburts anyway, so instead I just sat and listened while there was a general bemoaning of great books for children.

So you understand by now that my post title is a lie -- or at least you understand that I believe quite the opposite to be true: there is so much great children's literature out there. And "the olden days" don't hold the monopoly on quality. There was fluff published then just as there is fluff published now. The reason we don't read much of the fluff from yesteryear is because fluff doesn't endure. It doesn't keep being reprinted and issued in fresh covers with new illustrations by contemporary artists.

The same may be said of our season now in fifty years or so, when the good stuff is still being read. Honestly, there probably isn't time enough in a life to read all the great books people have written for kids (though we can try). But like most things worth seeing/doing/experiencing/appreciating, the best children's books take a little more effort in seeking out. It's not enough to go into the nearest bookstore franchise, KMart, or discount warehouse and scan the shelves. Often, you'll find row upon row of inflated series books about horses or vampires or bodily functions*. These stories are good sellers but can often be fluff; what is appealing to the masses is not always of the highest quality**.

For a better chance at discovering some gems, head a little further afield and hunt out an independent bookstore. Indie bookstores are usually run by people who care deeply about the written word, and the stock is hand-picked by staff and owners. I can often browse in chain bookstores and walk out empty-handed, but in independent stores, it's usually impossible for me to stick with just one purchase.

To guide your hunt for great kids' lit, keep track of award winners. The 2012 Children's Book Council of Australia Book of the Year winners were announced three days ago, showcasing the latest and the best of Australian kids' and YA lit:

The book of the year for older readers is The Dead I Know by Scot Gardner, with Bill Condon's A Straight Line to my Heart and Robert Newton's When We Were Two claiming the Honour titles. For younger readers, the winning title is Kate Constable's Crow Country, with Honour books Nanberry: Black Brother White (Jackie French) and The Truth About Verity Sparks (Susan Green). Winners in the early childhood category are Nick Bland's The Runaway Hug (book of the year), and Sonya Hartnett's Come Down, Cat! and Elizabeth Honey's That's Not a Daffodil (honour books).

The picture book of the year (not necessarily for younger children) went to Bob Graham's A Bus Called Heaven and honour awards to Ron Brooks' and Margaret Wild's The Dream of the Thylacine and Bruce Whatley and Jackie French's Flood. Finally, the Eve Pownall Award for Information Books went to Alison Lester and Coral Tulloch's One Small Island: the Story of Macquarie Island with Anh and Suzanne Do's The Little Refugee taking out the honour title.

The fact that a book has won an award doesn't make it an automatic fit for your child; parents and guardians should actively join kids in the reading process and make informed decisions about which titles are appropriate for which kids. But when a book has received an award such as this one, you are already part of the way there, knowing that there is a quality to the craft and creation of this piece of literature.

If one list of award-winning Australian books isn't enough, check out the shortlist for the 2012 Queensland Literary Awards, which was released today. Or check out the list of Newbery Medal-winning books, which spans ninety years of quality American children's literature.

One of the fabulous things about award-winning books is that they are often very quickly added to library catalogues, making them locally accessible for free. So since it's Children's Book Week here in Australia, your mission -- should you choose to accept it -- is to head out to a bookstore or library and find one new really great children's book. A gold star if you report back to me with your findings!

*which is not to say people can't write well about horses, vampires, or bodily functions, either.
**though sometimes it is. This isn't a rule!

* * * * *

Conversations:

Meaghan -- I wish you could come to my Capitol Party, too! Although considering my current rate of organisation, maybe it won't have happened by the time you get here!

Rachael -- I'm glad you liked the post. Your little emoticon made me happy.

Laura Elizabeth -- it's hard for me to believe you hate the sound of your voice recorded because I think you have a lovely, lovely voice -- feminine and clear and not a touch of bogan! (and I'm so looking forward to our Bourne-date!)

Staish -- I wasn't blogging from my iPad, but I was videoing from it!

Andrea -- occasionally there are these spurts of bravery, lol.

Joy -- you'll be getting some mail from me soon!

Jessica -- glad you liked the video :)

harri -- I can't promise I'll do more videos, but if I work up my courage again, maybe I will.

Anon -- you are very sweet. Like I said to Harri, if I get injected with a fresh dose of braveness, maybe I'll do more videos. Mostly I wimp out.

Asea -- you are FAMOUS! You are on videos! And you're like the awesome girly one amidst a group of guys. AND you have a really cute voice. Please tell me more about what you're doing in the vid and how this came about.

Samantha -- and YOU are lovely.

Tuesday, April 3, 2012

The 2012 shortlist:


Today the Children's Book Council of Australia released their 2012 Book of the Year Shortlist and their 2012 Notables List. It's awesome to see some less familiar names among the better-known ones, because it means I have some serious reading to catch up on.

Here's the collection of shortlisted books:

Book of the Year: Older Readers
  • Ishmael and the Hoops of Steel, Michael Gerard Bauer
  • A Straight Line to my Heart, Bill Condon
  • The Golden Day, Ursula Dubosarsky
  • The Dead I Know, Scot Gardner
  • Ship Kings: The Coming of the Whirlpool, Andrew McGahan
  • When We Were Two, Robert Newton
Book of the Year: Younger Readers
  • Crow Country, Kate Constable
  • Brotherband: The Outcasts, John Flanagan
  • Nanberry: Black Brother White, Jackie French
  • The Truth About Verity Sparks, Susan Green
  • The Golden Door, Emily Rodda
  • Bungawitta, Emily Rodda
Book of the Year: Early Childhood
  • The Runaway Hug, Nick Bland and illustrated by Freya Blackwood
  • Come Down, Cat!, Sonya Hartnett and illustrated by Lucia Masciullo
  • That's Not a Daffodil!, Elizabeth Honey 
  • The Last Viking, Norman Jorgensen and illustrated by James Foley
  • No Bears, Meg McKinlay and illustrated by Leila Rudge
  • Rudie Nudie, Emma Quay
Picture Book of the Year (not necessarily for young readers)
  • Look, a Book!, Freya Blackwood and Libby Gleeson
  • The Dream of the Thylacine, Ron Brooks and Margaret Wild
  • For All Creatures, Rebecca Cool and Glenda Millard
  • A Bus Called Heaven, Bob Graham
  • No Bears, Leila Rudge and Meg McKinlay 
  • Flood, Bruce Whatley and Jackie French

Eve Pownall Award for Information Books
  • The Little Refugee, Anh and Suzanne Do, illustrated by Bruce Whatley
  • One Small Island: The Story of Macquarie Island, Alison Lester and Coral Tulloch
  • Surrealism for Kids, Queensland Art Gallery
  • Bilby Secrets, Edel Wignell and illustrated Mark Jackson 
  • Fromelles: Australia's Bloodiest Day at War, Carole Wilkinson
  • Playground, Nadia Wheatley (Ed) and illustrated by Ken Searle

I feel certain it's in my best interest as a growing writer to just work my way through the entire list, right? Right. How about you? Have you read any of the books on the shortlist? Or are there any you're particularly excited to get your hands on?

Though I haven't read any of the Ishmael books yet, I'm currently reading another by Michael Gerard Bauer, and his writing is certainly award-worthy. In amongst the hordes of trilogies and series and the ubiquitous paranormal fantasies, it's refreshing to find what I -- quite wrongly, certainly -- think of as "real" fiction. I'm eating up dystopia with the best of them, and I love a bit of time travel or fantasy, but beautiful stories about realistic people set in a world we immediately recognise as our own is something quite special. Michael Gerard Bauer is doing that kind of writing, and it's very cool.

I've never read anything by Ursula Dubosarsky, and I should totally remedy that. But Jackie French, Emily Rodda, Bruce Whatley, Bob Graham, Nadia Wheatley, Alison Lester, and Elizabeth Honey were staples during childhood and the teen years for my siblings and I; they're bound to be good. I have a huge respect and affection for Anh Do, so I'm very keen to read the book he wrote with his sister (both of whom star in the gorgeous Australian film, Footy Legends). And I'm pretty proud that Queensland Art Gallery made it to the shortlist with their book, Surrealism for Kids. I'm merely irrationally proud, of course, since it's a weird form of local patriotism that makes me feel almost as if I played some part in the publication of "my" museum's book -- like football fans who shout "we won!" when actually it was their team that did all the work.

What else is tantalising? Well I've picked up A Straight Line to My Heart several times during trips to my favourite independent bookstore. Always it got put back on the shelf because my wishlist is infinitely larger than my budget. Obviously, though, I really must read it!

And my mother recently bought Flood for my little brother. It's a beautiful reflection on the devastation after the Brisbane floods and the rebuilding that had to follow. It gives me shivers for reasons that are hard to describe. I think it's something to do with recognising that here is a work of art created in response to a city-changing, life-altering event that was a part of my lifetime -- that I, even in a small way, witnessed. I think we are often apt to brush away our life experiences as trivial -- to downplay dramas once the dust has settled. This book reminds us not to forget too soon, and I'm glad it made the shortlist.
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